Ghost in the Shell Ukiyo-e / GHOST IN THE SHELL UKIYO-E

攻殻機動隊浮世絵 /  Ghost in the Shell Ukiyo-e

 

1995Japan, which was released in the year, is a world -class feature -length anime "Ghost in the shellUkiyo -eki prints6Month1Sunday (Sat) Japan time12:00We will release more simultaneously worldwide.

 

Using the Ukiyo -e tree printing technology, which is a traditional technology that Japan is proud of, a new ukiyo -e painting of "Ghost in the Shell" is used as a new ukiyo -e painting based on the main visuals. 。

 

 Ghost in the Shell Ukiyo-e /GHOST IN THE SHELL UKIYO-E

"GHOST IN THE SHELL UKIYO-E"

Sales price: 80,000 yen + tax / shipping fee
Sales: 300 sets of world only
Specifications: Picture (W: about 215mm x H: about 350mm)
With the amount (w: about 425mm x H: about 540mm)
Fold: Wood, backward plate / wooden plywood
Mat: Paper made
Washi: Human National Treasure Iwano Iwano Echizen Birthday
Carrier: Seiko Suga (Ministry of Economy, Trade and Industry certified / traditional craftsman, Cultural Affairs Selection Technical Certified Craftsman)
Surushi: Tatsuya Ito (Tokyo Traditional Wood Product Gekyo Gekyo Association, Tokyo Estic Governor Award)

 

 

 

 

 [Focusing on Ukiyo -eki print production]
 
By the human national treasure, by Iwano Iwano,
The ultimate Echizen raw striped book

 

 

《9th generation Iwano Iwano》
 
In 1978, the ninth generation Iwano Iwano was named. In June 2000, he was recognized as a holder (human national treasure) of the Echizen Book of Echizen Cultural Property of the country.
 
He continues to make the Echizen Bureau Book, which has been handed down in the Echizen climate.
 
"Kizukiho Sho" is a Japanese paper in Japanese paper, which is supported by Japanese tradition and history, which is made using mulberry as a raw material.
 
The brush slide is good, and in addition to the ritual ritual paper, it is also used for prints, etc. This is the ultimate Japanese paper that can withstand the pressure that can be rubbed in several hundred wooden prints, and the texture of the traditional Japanese paper in Edo. , 100 years later, I adopted this time with the thoughts that will remain in 200 years.

 

  

The ultimate hand -carved, handrail aesthetics.

  
[Carving]
Ukiyo -eki prints start with the design of woodcuts by color based on the design and carved one by one.
 
As you can see, it is a terrible and detailed work, and the effect of only one millimeter on the entire screen has a great impact, and it can be said that it is a long -term discipline of craftsmen to carve it perfectly.
 
We continue to engrave all manually, including contours, hair, shape, as well as the title and background that does not appear in the color. Because it uses delicate woodcuts so much, it is missing or damaged in thousands of times, so all ukiyo -e can only be sent out with limited production. 。
This work is based on the key visuals of the theater work "GHOST IN THE SHELL" released in 1995, and the expression of the sea surface of the sea has been active to recover the Ukiyo -e prints that are declining from the Meiji era to the Showa era. The motif is the expression of Haizui.
[Sculptor -Kaiko Suga]
 After graduating from high school, he applied for an apprentice for the craftsmanship support project in Arakawa -ku, Tokyo, and became an independent training as an Edo wooden print sculptor for seven years. Currently, as one of the few Ministry of Economy, Trade and Industry -certified female traditional artists, it contributes to the inheritance of Ukiyo -e tracks with an outstanding technique.
Demonstration at the Edo Tokyo Museum "Oedo Hachimachi -cho Exhibition" in 2003 (Heisei 15)
Demonstration at the 2005 Nihonbashi Mitsukoshi "Famous Edo Hundred Views Completion Commemorative Exhibition"
Demonstration at the Edo Tokyo Museum "Hokusai Manga Exhibition" in 2008 (Heisei 20) Members of the Ukiyo -Eki Sculpture Technology Conservation Association Tokyo Traditional Wooden Art and Works and Engineering Cooperatives

 

 

[Riding]
This time, the work of sliding starts based on traditional paints for each color. This is also a world where craftsmanship requires a craftsmanship where only one millimeter shifts and pressure will occur throughout the screen.
 
In addition, I did not know what would happen if I did not slide the color, but I changed the paint dozens of times and pursued the ultimate color. The light and deep blue of the sea, the light of the city floating with gradations, and the appearance of the greens and gray are in harmony in the bold composition.

  

 

[Suriji -Tatsuya Ito]
 
Born in Nezu, Tokyo in 1965.
In 1985, he succeeded his father's fourth generation, Tomiro Ito, and trained under his teacher Fumihiko Ogawa.
In 1994, exhibited and demonstrated in the 1st Ukiyo -eki print exhibition.
Received the Governor of the Tokyo Metropolitan Governor in 1995.
1998 "Hokusai Manga" 15 books (joint sliding printing).
Demonstration in Europe (Austria, Hungary, France).
In 2001, Suho Takeuchi "Suho Kensho". Demonstration at Gakushuin University "Sakura Revitalization Professional Exhibition".
2002 Maruyama "Tan Sumitaku" sliding print.
Demonstrated in 2003 at the Edo Tokyo Museum "Oedo Hachimachi -cho Exhibition".
Demonstration at the 2005 Japan -French Cultural Center (Puri) at "Hiroshige Exhibition"
2006 Jakuchu Ito "Jakuchu Painting"
Demonstrated at the Koriyama City Museum of Art "Hokusai Manga Exhibition" in 2010.
A craftsman who has been certified by the Agency for Cultural Affairs Intangible Cultural Properties election.

 

 

 

 

 

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© 1995 Shiro Masamune / Kodansha / Bandai Visual / Manga Entertainment

© 1995 Shirow Masamune/Kodansha/Bandai Visual/Manga Entertainment. All Rights Reserved.

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